You’ll Never Believe What Some Of These Old Photos Reveal About The Past.

Thanks to today’s technology, we are able to see nearly everything our family and friends are doing. Sharing photos with your friends (or even the world at large) is exceedingly simple. What was the world like before this digital age? 

Modern photography has existed since the 1800s, but until very recently, photo prints were the only way to share and view what was captured. If there weren’t any copies? Too bad. The limited amount of prints of each photo has resulted in many famous scenes getting lost in the annals of history…

Until now. These old photos were recently discovered. Most of them have never been seen before. What they reveal about life so many years ago is stunning.

1.) The Knickerbocker Baseball Club in 1858.

2.) French soldier tied to a stake receives a drink from a fellow POW in 1917.

3.) Washington, D.C.’s Union Station in 1910.

4.) Marilyn Monroe (then going by Norma Jeane Mortensen) working in a factory in 1944.

5.) LAPD officers dress as women to try and catch a purse snatcher in 1960.

6.) Filming of the MGM screen credits in 1928.

7.) The Yale-Vassar Bike Race in 1952.

8.) Wounded soldier dictates a letter in 1917.

9.) Dockworkers in New York City in 1947.

10.) Circus elephant helps unload train in 1948.

11.) Mohandas Gandhi in 1893.

12.) A New York City Easter in 1956.

13.) The Tasmanian Tiger (now extinct) in 1933.

14.) Pittsburgh, Pennsylvania in 1940.

15.) Eastern Kentucky in 1964.

16.) The Statue of Liberty surrounded by scaffolding as workers complete the final stages in Paris (1885).

17.) 152 mm Howitzer battery fires during Belorussian Strategic Offensive Operation (1944).

18.) In the aftermath of the D-Day invasion, two boys watch from a hilltop as American soldiers drive through the town of St. Lo. France (1944).

19.) Color image of the German Focke-Wulf Fw 190A-5 fighters, of Fighter Squadron JG54, during flight (1943).

20.) A female Lebanese fighter (1982).

21.) Evacuating Saigon. An American evacuee punches away a South Vietnamese man for a place on the last chopper out of the US embassy (April 30, 1975).

22.) One of the oldest photos of the Great Sphinx (1880).

23.) Jimmy Page performing live with Led Zeppelin (1972).

24.) Corporal Luther E. Boger of US 82nd Airborne Division reading a warning sign, Cologne, Germany (April 4, 1945).

25.) A baby cries at a bombed train station in Shanghai (1937).

26.) Woodstock’s Opening Ceremony in Bethel, New York (August 14, 1969).

27.) Chester E. Macduffee next to his newly patented, 250 kilo diving suit (1911).

28.) A Matilda tank of the Australian 2/4th Armored Regiment on the Buin Road, Bougainville (1945).

29.) Ethnomusicologist Frances Densmore recording the music of a Blackfoot chief onto a phonograph (1916).

30.) A napalm attack near U.S. troops on patrol in South Vietnam (1966).

31.) Fritz, a television celebrity bulldog, is shaved by a Californian barber (1961).

32.) Three German soldiers in body armor and gas masks demonstrate operating a 2cm Becker-Flugzeugkanone, an anti-aircraft gun, Western Front (1918).

33.) An RAF Pilot getting a haircut during a break between missions, Britain (1942).

34.) A US Marine prepares to enter a Vietcong tunnel (1969).

35.) A Panzer III tank crewman surrenders to an advancing Brittish soldier during the Battle of El Alamein (1942).

36.) Bob Marley on the beach with Miss World 1976 Cindy Breakspeare (mother of Damien Marley).

(via r/historyporn)

The world was truly a different place back then (or even in the 1960s). Share these incredibly revealing photos with others. They’ll take you back in time.

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‘Obama is the real jackass’: Shyne calls on Kanye to rant against POTUS

@kanyewest it's time for a rant about the murder rate in chiraq
How @BarackObama is the real jack ass
For saying nothing & doing nothing

— Shyne Po (@OriginalShyne) November 26, 2013

Kanye West notably stopped a concert last weekend to deliver a 15 to 20-minute rant against the press and the fashion industry. Rapper Shyne might not be as well known, but he’d like West to make better use of his time, ranting instead about the murder rate in Chicago, or “Chiraq.”

Shyne also called the president “the real jackass” for “saying nothing and doing nothing” about gun violence in the city. (President Obama called Kanye West a jackass in a CNBC interview in reference to his interruption of Taylor Swift at the 2009 MTV Video Music Awards.)


Rapper Shyne headed for Kanye West-style meltdown on President Obama over ‘genocide in Chicago’

Rapper Shyne slams gun control: ‘A ban on assault weapons solves nothing!’

Lupe Fiasco to President Obama: ‘Where the fuck you at?’

Paging Kanye! Rapper Lupe Fiasco kicked off stage for anti-Obama rant at inauguration bash

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How John Legend Showed Hollywood Likes Only Comfortable Change

The tepid response to John Legend’s Oscars speech — in contrast to his co-winner Common — was indicative of the way that Hollywood likes to deal with racism.

Craig Sjodin / ABC via Getty Images

After Common and John Legend won the Oscar for Best Original Song for their hit “Glory” from the civil rights film Selma, both men decided to use their acceptance speech to address injustice in the contemporary world as a parallel to the subject matter of the song and the film. But the way each of these artists addressed these issues — and the audience’s response to their words — reveals how Hollywood embraces only change that makes everyone comfortable.

Common spoke about the legacy of the Selma marches and the infamous bridge where marchers in 1965 were assaulted by officers and civilians as they attempted to cross. It was a speech about common struggle, one that attempted to tie together disparate conflicts around the globe. It garnered a wave of applause from the mostly white crowd.

“This bridge was once a landmark of a divided nation but is now a symbol for change,” Common said. “The spirit of this bridge transcends race, gender, sexual orientation, and social status. The spirit of this bridge connects a kid from the South Side of Chicago dreaming of a better life to those in France standing up for their freedom of expression to the people in Hong Kong, protesting for democracy. This bridge was built on hope, welded with compassion.”

Selma is now because the struggle for justice is now,” Legend said. “We know that the Voting Rights Act that they fought for 50 years ago is being compromised in this country today. We live in the most incarcerated country in the world. There are more black men under correctional control today than were under slavery in 1850.”

Legend’s words led to awkward silence and some scattered applause, a very telling reaction from the awards show crowd on a night where political and social issues seemed to be mentioned or referenced almost everywhere.

Common’s words pulled everyone under the sense of false togetherness that informed slogans like “All Lives Matter,” the comfortable-but-disingenuous belief that everyone is fighting for and against the same evils. Sure, there are oppressors — but not you guys, Oscar audience.

Common, the Chicago-born rapper who debuted in the early ’90s as the wisecracking wordsmith Common Sense, spent most of that decade releasing music that generated critical acclaim but was almost completely removed from mainstream visibility. An almost underground emcee known for political and social commentary with songs about everything from the exile of Assata Shakur to the abortion debate, Common didn’t gain much visibility outside of “conscious” hip-hop circles until he released hits like “The Light” and landed high-profile acting gigs in films like American Gangster in the 2000s. And he’s often referenced Marcus Garvey, The Last Poets, and other figures of black empowerment in his music and conversations. On the other hand, Legend’s early music was largely apolitical, with huge hits like “Green Light” and “All of Me” and his nine Grammys defining his public persona.

But recently the two seem to have modified their positions, with Common softening his positions on race and politics, and Legend becoming more outspoken with his. In a recent interview with Rolling Out magazine, Common said, “The fight isn’t a race thing. The fight is overcoming injustice and letting love prevail and fighting for peace. So music does exist like that. Other artists have a lot to say. That’s why I don’t focus on one aspect. People are going to be who they are. [Just] present the whole spectrum.”

It’s likely that Common is as passionate about the struggles of black people as he’s ever been, but it also seems that his perspective is becoming more defined by a sense of all people coming together — as opposed to directing his focus at the specific institutions that have hampered the social standing of blacks in America and abroad. Ultimately, that’s a safer and less controversial stance for him to take.

Legend, on the other hand, seems to have become much more direct and outspoken about those same institutions. For an artist who initially seemed to limit his advocacy to philanthropic causes like helping impoverished people in Ghana and Somalia and families displaced by Hurricane Katrina, he’s become much more politically vocal in recent years — especially over the past year — regarding everything from the controversies surrounding the rash of police killing unarmed black men in 2014 to the conflict in Gaza.

During the wave of protests in Ferguson, Missouri, following the shooting of Mike Brown, Legend made it clear how he felt about the killing and its aftermath. “I believe these cops are intentionally trying to inflame the situation. They want an excuse,” Legend tweeted at the time. “Recall the local cop telling those ‘animals’ to ‘bring it’ on CNN…He wants a fight.”

When followers responded with accusations that Legend was fanning the flames of hostility and that Ferguson wasn’t “about race,” the singer was swift to correct them. “This is about racism,” he tweeted. “I hate to break it to you, my friend.”

In December, Legend also wrote an op-ed for Billboard where he addressed the current racial climate in America. “African-American communities are being crushed by a criminal justice system that over-polices us, over-arrests us, over-incarcerates us, and disproportionately takes the lives of our unarmed youth because of the simple fact that our skin, our blackness, conjures the myth of the hyper-violent Negro,” he wrote.

Hip-hop has the pedigree of being an almost inherently political art form; even some of the most ballerific emcees have espoused some level of commentary on the state of their communities. Contemporary R&B — especially the sort of romantic fare Legend became famous for — has mostly been viewed as bedroom music or pleasant background for a sophisticated dinner party. In an age of Ferguson and Eric Garner, Legend seems to have a better understanding of why it is important to not allow anyone to lean on paeans of peace and understanding while storms of inequality and oppression are raging. And the singer who seemed to be the 2000s’ answer to Lionel Richie has a better grasp on that than the rapper with the Gil-Scott Heron complex.

Pining for togetherness in a world that consistently marginalizes specific groups of people does no one any real good; it absolves those in positions of privilege and obscures those being subjugated. And anyone who is truly focused on moving forward can’t be comfortable with that. Just last week, The Hollywood Reporter revealed that an anonymous Academy voter was offended because the cast of Selma wore “We Can’t Breathe” T-shirts to the film’s premiere in December. With Legend’s speech — and the awkward response it received — it became painfully obvious that the idea of Selma is much more palatable to Hollywood than the reality of what it represents, both historically and as a film. As Common eloquently championed the symbolic meaning of that famous bridge, Hollywood reminded all of us that it’s still very much afraid of truly crossing it.

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